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Mary Bee Cuddy, 31, lives a solitary existence in a God-fearing mid-western town. She is designated by members of her church to take back East three women who have lost their minds. On the way from Nebraska to Iowa, where those women will at last find refuge, Mary Bee saves the life of Briggs, a claim-jumper and outlaw. He agrees to help in her mission through snowstorms and perilous encounters with settlers, Indians and the harshness of the Frontier territory.
„The rough lot handed to women in the Old West remains a footnote in the cinematic history of cowboy days, but it figures front and center in The Homesman. Tommy Lee Jones’ adaptation of the late Glendon Swarthout’s flavorful 1988 novel is both lyrical and shocking, weirdly funny and grimly serious. Fronted by fine and wise performances by Hilary Swank as a self-sufficient unmarried pioneer charged with transporting three insane women back East and by Jones himself as a shiftless claim-jumper obliged to help her, this beautifully crafted film intrigues as a story never told before and ratchets up dramatic interest through a succession of unexpected turns. Debuting in the Cannes competition, as did Jones’s feature directorial outing The Three Burials of Melquiades Estrada, this partially French-financed production should prove accessible to a wider audience than did that 2005 modern Western.”
Todd McCarthy, Hollywood Reporter