Mardin, 1915: one night, the Turkish police rounds up all the Armenian men in the city, including the young blacksmith, Nazaret Manoogian, who is separated from his family. Years later, after managing to survive the horrors of the genocide, he hears that his two daughters are also still alive. He becomes fixated on the idea of finding them and sets off to track them down. His search takes him from the Mesopotamian deserts and Havana to the barren and desolate prairies of North Dakota. On this odyssey, he encounters a range of very different people: angelic and kind-hearted characters, but also the devil incarnate.

„The Cut is an epic film, a drama, an adventure movie and a western all rolled into one. The film may be set a hundred years ago, but it could not be more topical: it tells a tale of war and displacement, as well as portraying the power of love and hope, which enables us to achieve the unimaginable. The Cut is the conclusion of the Love, Death and the Devil trilogy. It explores the theme of „the devil”, examining evil and the harm we are capable of inflicting on others – both unwittingly and deliberately – showing the fine line that often separates good from evil. The Cut has become a very personal film. Thematically, it explores my conscience and formally it expresses my passion for the medium of film.”

Fatih Akin

„The Cut is a true epic in the tradition to which today no one daring to approach. Fatih Akin's very personal response to a tragic chapter in world history is of great intensity, beauty and impressive grandeur. This movie is very valuable to me in many ways.”